How Copperfinch Began
It Started With Leaded Windows and Dinner Table Curiosity
If you had visited our kitchen table in Minneapolis seven winters ago, you would have found two very different workbooks lying side by side. On the left were Julian’s architectural rubbings of Early Prairie School stained-glass windows from homes around Lake of the Isles. On the right were Clara’s transcriptions of late-nineteenth-century American confectioners’ ledger books.
One evening, while discussing how antique amber glass gets its warm depth when held up to afternoon snow light, Clara poured a small kettle batch onto a chilled slab of Carrara marble framed with Julian’s heavy brass bench bars. Instead of pouring a single flat sheet, we layered two contrasting thermal pours and drew a fine satin ribbon through the middle before the slab cooled.
When our neighbors came over for coffee that Friday night, we set a plate of those square amber pieces on the table without saying what was in them. Watching six grown adults close their eyes, debate whether they were tasting toasted orchard fruit, hearth caramel, or winter botanicals—and laugh when they compared guesses—changed our trajectory completely.